The section ends in G at the double bar and immediately moves to Eb. In fact, a little time is spent in Bb almost immediately as soon a the parallel minor is introduced (Gm "modulates" to Bb if you like) and then it goes back to G Major at bar 18 for the repeat of the intro. G Major is "distantly related" to Eb and Cm.īut Gm is "closely related" (closely related may be defined as a difference of only 1 accidental in the key signature, or, a 4th/5th away).īy changing to the minor mode, the move to Eb doesn't sound as "drastic". A commonly found British standard assigns "c1" to middle C.It begins in G Major, and at measure 11 changes mode to Gm. Octave designation: The International Standards Organization (ISO) system for register designations assigns "C4" to middle C (the first ledger line below the staff in treble clef). ° Grove Music Online definitions: soprano: ° Catherine Schmidt-Jones' article and chart. ° The Wikipedia article on vocal range, which gives different ranges for operatic works and choral works. Vocal ranges for solo or choral works may differ, as evidenced from the different ranges found in other sources. Note: these definitions, from the New Harvard Dictionary of Music, are used in music cataloging, using the Library of Congress Subject Headings and RDA. These ranges correspond to the following: If no vocal range is indicated, use the ranges specified in the New Harvard Dictionary of Music: General practice is to follow the instructions given in the Subject Cataloging Manual: Subject Headings section H 1917.5: Base vocal range on the verbal indication on the item. RDA does not define the ranges of vocal types. Music Cataloging at Yale ♪ General music cataloging resources Vocal Ranges according to The New Harvard Dictionary of Music
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